Here appears the image of the tree, that in the years, from a secondary and skeleton presence has raised the role of the primary protagonist of the Migliorati' paintings. The tree, dressed of radiant leaves, represents the author himself, his wish to live and be prolonged over the barriers and the fences.

However, this tree, often appears isolated, alone, unappreciated. Rich of branches and leaves, prosperous and vigorous, but abandoned by other companions, who look at him from far, a bit distrustful.

Now, as in many recent pictures, we ca find the tree closed by regular structures, a little baroque, that isolate and close him, as if it was a beautiful unreachable and inaccessible thing. Metaphor, this, of the consciousness of a rich and delicate internal world, that however the author does not want to reveal at all, but he wants, instead, to preserve jealously. A sensitivity and a kindness of mind that Migliorati, being unable to communicate explicitly, is able to make you guess through his pictures, with discretion and modesty, between a cut of light and another.

A glance into his own human inner life that the painter little by little, with the passing of years, has been able to express always in a more lucid and precise way. A glance that, leaving the first cubist inflexions, is inclined to be magnetized by few particulars or themes (like the social and topical ones), where the artist's attention is settled more and more and where the efforts of his stylistic research are directed. The shades and the colours become more intense and defined than in the past. A pictorial speech that, even if progressing and changing, keeps its fidelity to the privileged themes of the nature and the solitude and does not abandon them. A basic coherence that makes the style and the work of L.M. totally particular and strongly characterizing. 

Marco Ghidoni (the nephew)